Papers (in English)
| (2024) with Young, “Growing The Image: Generative AI and the Medium of Gardening”, The Philosophical Quarterly |
| (2024) “Are Works of Art Affective Artifacts? If Not, What Sort of Artifacts Are They”, Topoi |
| (2024) with Contesi, Campdelacreu, García Moya and Martí, “The Problem of Taste to the Experimental Test”, Analysis |
| (2023) “Taking Abstract Artifacts Seriously—The Functioning and Malfunctioning of Fictional Characters”, in "Fiction and Metaphysics" |
| (2023) “Two Philosophies of the Screenplay”, in Introduction to Screen Narrative, eds. Taberham and Iricinschi, Routledge |
| (2023) “Malick’s Cartesianism, or the Ghost by the Machine”, in Life above the Clouds. Philosophy in the Films of Terrence Malick |
| (2022) “Form and Norm in Pictures”, in Digital Ethics, eds. Thomas Dreier and Tiziana Andina, Nomos, Baden-Baden |
| (2022) “Images that we should not see. The issue of non-perceptual attitudes from film to virtual reality”, AN-ICON |
| (2022) “Observers and Narrators in Fiction Film”, Croatian Journal of Philosophy |
| (2022) “That’s Where We’re Living. Determinism and Free Will in Unthought Known”, in Pearl Jam and Philosophy, Bloomsbury |
| (2022) “There’s Always More Show. The Impossibility of Remarriage in BoJack Horseman”, Film and Philosophy |
| (2021) “When the Cement of the Universe Breaks Apart. Hume, Causality, and The Leftovers”, Cinema |
| (2021) “Seeing-in and Singling Out: How to Reconcile Pictures with Singular Thought”, Pacific Philosophical Quarterly |
| (2021) “The Standard of Correctness and the Ontology of Depiction”, American Philosophical Quarterly |
| (2021) “Science Fiction As a Genre”, Journal of Aesthetics and Art Criticism |
| (2020) “Listening to Other Minds. A Phenomenology of Pop Songs”, British Journal of Aesthetics |
| (2020) “Imagination and Perception in Film Experience”, Ergo |
| (2020) “Documentaries, Docudramas, and Perceptual Beliefs”, Journal of Aesthetics and Art Criticism |
| (2020) with Marta Campdelacreu, Ramón García-Moya, Genoveva Martí, “How to Test the Ship of Theseus”, dialectica |
| (2018) “Twofileness. A Functionalist Approach to Fictional Characters and Mental Files”, Erkenntnis |
| (2018) “Why to Watch a Film Twice”, in The Pleasure of Pictures, Routledge |
| (2018) “Appearance and History: the Autographic/Allographic Distinction Revisited”, British Journal of Aesthetics |
| (2017) “On Fictional Characters as Types”, British Journal of Aesthetics |
| (2017) “On Time in Cinema”, in The Routledge Handbook of the Philosophy of Temporal Experience |
| (2017) “Blessed Are the Forgetful: Utilitarianism and Remarriage in Eternal Sunshine of the Spotless Mind”, Film and Philosophy |
| (2017) “The Band of Theseus. Social Individuals and Mental Files”, Philosophy of the Social Sciences |
| (2017) “Neither Here nor There, but Now. Film Experience and the Aesthetic Illusion”, in The Aesthetic Illusion, Bloomsbury |
| (2016) “Happiness is Like This. Fiction as a Repertoire of Indexical Predicates”, in “Learning from Fiction”, Teorema |
| (2015) “Sounds and Other Denizens of Time”, The Monist |
| (2014) “The Digital Secret of the Moving Image”, Estetika |
| (2014) “Traces, Documents, and the Puzzle of ‛Permanent Acts’”, The Monist |
| (2014) “Normativity of the Background”, in Perspectives on Social Ontology and Social Cognition, Springer |
| (2013) “Wittgenstein’s Picture Theory of Pictures”, Aisthesis |
