Papers (in English)
(2022) “Images that we should not see. The issue of non-perceptual attitudes from film to virtual reality”, AN-ICON |
(2022) “Observers and Narrators in Fiction Film”, Croatian Journal of Philosophy |
(2022) “That’s Where We’re Living. Determinism and Free Will in Unthought Known”, in Pearl Jam and Philosophy, Bloomsbury |
(2022) “There’s Always More Show. The Impossibility of Remarriage in BoJack Horseman”, Film and Philosophy |
(2021) “When the Cement of the Universe Breaks Apart. Hume, Causality, and The Leftovers”, Cinema |
(2021) “Seeing-in and Singling Out: How to Reconcile Pictures with Singular Thought”, Pacific Philosophical Quarterly |
(2021) “The Standard of Correctness and the Ontology of Depiction”, American Philosophical Quarterly |
(2021) “Science Fiction As a Genre”, Journal of Aesthetics and Art Criticism |
(2020) “Listening to Other Minds. A Phenomenology of Pop Songs”, British Journal of Aesthetics |
(2020) “Imagination and Perception in Film Experience”, Ergo |
(2020) “Documentaries, Docudramas, and Perceptual Beliefs”, Journal of Aesthetics and Art Criticism |
(2018) “Twofileness. A Functionalist Approach to Fictional Characters and Mental Files”, Erkenntnis |
(2018) “Why to Watch a Film Twice”, in The Pleasure of Pictures, Routledge |
(2018) “Appearance and History: the Autographic/Allographic Distinction Revisited”, British Journal of Aesthetics |
(2017) “On Fictional Characters as Types”, British Journal of Aesthetics |
(2017) “On Time in Cinema”, in The Routledge Handbook of the Philosophy of Temporal Experience |
(2017) “Blessed Are the Forgetful: Utilitarianism and Remarriage in Eternal Sunshine of the Spotless Mind”, Film and Philosophy |
(2017) “The Band of Theseus. Social Individuals and Mental Files”, Philosophy of the Social Sciences |
(2017) “Neither Here nor There, but Now. Film Experience and the Aesthetic Illusion”, in The Aesthetic Illusion, Bloomsbury |
(2016) “Happiness is Like This. Fiction as a Repertoire of Indexical Predicates”, in “Learning from Fiction”, Teorema |
(2015) “Sounds and Other Denizens of Time”, The Monist |
(2014) “The Digital Secret of the Moving Image”, Estetika |
(2014) “Traces, Documents, and the Puzzle of ‛Permanent Acts’”, The Monist |
(2014) “Normativity of the Background”, in Perspectives on Social Ontology and Social Cognition, Springer |
(2013) “Wittgenstein’s Picture Theory of Pictures”, Aisthesis |